[et_pb_section fb_built=“1″ admin_label=“Hero Section“ _builder_version=“4.23.4″ use_background_color_gradient=“on“ background_color_gradient_direction=“90deg“ background_color_gradient_stops=“#00143d 42%|rgba(244,240,233,0) 100%“ background_color_gradient_overlays_image=“on“ background_color_gradient_start=“rgba(244,240,233,0.9)“ background_color_gradient_start_position=“30%“ background_color_gradient_end=“rgba(244,240,233,0)“ background_image=“http:\/\/traumaland.art\/wp-content\/uploads\/2024\/01\/GODsDOGs_LRose_72_50x465cm.jpg“ custom_margin=“|||“ custom_padding=“119px|0px|119px|0px“ global_colors_info=“{}“][et_pb_row custom_padding_last_edited=“off|desktop“ admin_label=“Hero Area“ _builder_version=“4.16″ custom_padding=“27px|0px|0px|0px“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text content_tablet=“<\/p>\n
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K\u00fcnstler:innen<\/span><\/p>\n “ content_last_edited=“on|phone“ admin_label=“Hero Title“ _builder_version=“4.23.4″ text_font=“Playfair Display||||||||“ header_font=“Alice||||||||“ header_font_size=“80px“ header_letter_spacing=“-3px“ header_line_height=“1.1em“ custom_margin=“||0px|“ custom_padding=“|||“ animation_style=“slide“ animation_direction=“left“ animation_intensity_slide=“5%“ animation_starting_opacity=“100%“ text_font_size_tablet=““ text_font_size_phone=“41px“ text_font_size_last_edited=“on|phone“ header_font_size_tablet=““ header_font_size_phone=“60px“ header_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.23.4″ text_font=“||||||||“ text_font_size=“20px“ text_line_height=“1.8em“ header_font=“||||||||“ max_width=“500px“ custom_margin=“|||“ custom_padding=“||10px|“ animation_style=“slide“ animation_direction=“left“ animation_intensity_slide=“5%“ animation_starting_opacity=“100%“ hover_enabled=“0″ global_colors_info=“{}“ sticky_enabled=“0″]<\/p>\n \u2192 <\/strong>Traum(a)land \u2013 <\/b>fluid futures <\/i>23.5. bis 4.6.25<\/b><\/a><\/p>\n \u2192 Schloss Biesdorf 24.01.2024 bis 12.05.2024<\/a><\/strong><\/p>\n <\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Promo Banner“ _builder_version=“4.23.4″ background_color=“#A0B6A9″ custom_padding=“0px|0px|29px|0px||“ locked=“off“ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_row module_id=“fluidfutures“ _builder_version=“4.23.4″ custom_padding=“50px||0px|||“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text admin_label=“Title“ module_id=“fluidfutures“ _builder_version=“4.23.4″ text_font=“||||||||“ header_font=“||||||||“ header_2_font=“Alice||||||||“ header_2_text_align=“center“ header_2_font_size=“42px“ header_2_line_height=“1.3em“ custom_margin=“||20px|“ animation_style=“slide“ animation_direction=“top“ animation_intensity_slide=“30%“ animation_starting_opacity=“100%“ hover_enabled=“0″ locked=“off“ global_colors_info=“{}“ sticky_enabled=“0″]<\/p>\n [\/et_pb_text][et_pb_divider color=“#2a2a2a“ divider_weight=“3px“ _builder_version=“4.16″ max_width=“50px“ module_alignment=“center“ custom_margin=“||10px|“ animation_style=“slide“ animation_direction=“top“ animation_intensity_slide=“30%“ animation_starting_opacity=“100%“ locked=“off“ global_colors_info=“{}“][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Gallery Section“ _builder_version=“4.16″ custom_padding=“50px||90px|||“ global_colors_info=“{}“][et_pb_row column_structure=“1_3,1_3,1_3″ use_custom_gutter=“on“ admin_label=“Gallery Area“ _builder_version=“4.16″ custom_padding=“6px|0px|27px|0px||“ global_colors_info=“{}“][et_pb_column type=“1_3″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2025\/05\/11_SylvieRinger_A_Journey_with-Obstacles_Tusche_Buntstift_Pigemnt_Kohle__aufPapier_110x100cm_2024_Foto_Giesemann_document-it-groot.jpeg“ title_text=“11_SylvieRinger_A_Journey_with Obstacles_Tusche_Buntstift_Pigemnt_Kohle__aufPapier_110x100cm_2024_Foto_Giesemann_document-it groot“ url=“http:\/\/Sylvie%20Ringer%20(CAN\/DE)“ url_new_window=“on“ use_overlay=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ hover_enabled=“0″ global_colors_info=“{}“ sticky_enabled=“0″][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n @sylvieringer Landschaften als Metaphern f\u00fcr innere Prozesse kommen in den teils gro\u00dfformatigen Zeichnungen der deutsch-kanadischen K\u00fcnstlerin Sylvie Ringer zum Ausdruck. In ihren Zeichnungen mit Kohle, Pigment, Pastell, Buntstiften und Tusche fertigt sie eindrucksvolle subjektive Blicke auf die unber\u00fchrte Natur \u2013 und gleichzeitig mitten hinein in die menschliche Seele. Dabei geht ein Protagonist, oftmals als ein nat\u00fcrliches Element dargestellt, durch verschiedene Zust\u00e4nde oder Schattenbereiche seiner Psyche. In den j\u00fcngsten Arbeiten setzt die K\u00fcnstlerin sich au\u00dferdem mit dem \u201cModell der Systemischen Therapie mit der Inneren Familie (IFS)\u201d auseinander.<\/span><\/p>\n Sylvie Ringer studierte von 2007 bis 2012 an der Hochschule f\u00fcr Angewandte Wissenschaften (HAW), Hamburg. F\u00fcr ihr k\u00fcnstlerisches Werk erhielt sie zahlreiche Preise und Stipendien, u.a. 2010 das Reisestipendium der HAW f\u00fcr Kyoto (Japan), 2015 das DAAD Graduierten Reisestipendium oder das Projektstipendium der Hamburgischen Kulturstiftung 2020. Ausstellungen ihrer Arbeiten waren in den vergangenen Jahren in internationalen Institutionen zu sehen.<\/span><\/p>\n [\/et_pb_text][et_pb_divider _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_divider][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2025\/05\/Scherm\u00adafbeelding-2025-05-06-om-21.42.00.png“ title_text=“Scherm\u00adafbeelding 2025-05-06 om 21.42.00″ url=“https:\/\/pennymonogiou.art\/%20″ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||15px|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n @pennymonogiou<\/b> Das Paradox rund um die weibliche Brust, die in ihrer Sexyness akzeptiert, in ihrer nat\u00fcrlichen Funktion als Nahrungs-gebend und lebensspendend dagegen bis heute tabuisiert ist, verwebt die deutsch-zypriostische K\u00fcnstlerin Penny Monogiou in ihren neusten Arbeiten mit den Erfahrungen als junge Mutter. Durchgehend gebraucht zu werden, Stunden damit zu verbringen, ein Kind zu stillen, oktroyiert die patriarchale Gesellschaft M\u00fcttern als Bild ultimative Erf\u00fcllung auf. Was, wenn Frau dies anders erlebt? Wenn aus dem Traum ein Trauma zu werden droht? Kann die Kunst als Selbstheilungskraft dienen und die akuten Belastungsreaktionen abklingen lassen?<\/span><\/p>\n Penny Monogiou studierte von 2007 bis 2012 Malerei und Ikonenmalerei an der Hochschule f\u00fcr bildende K\u00fcnste in Athen, Griechenland. In den vergangenen Jahren waren ihre Arbeiten in zahlreichen Ausstellungen im In- und Ausland zu sehen, unter anderem auf Zypern, in Athen, Thessaloniki, Leipzig, Berlin und Hamburg.<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2025\/05\/Portia_Bowers_Night-Sky-2020.png“ title_text=“Portia_Bowers_Night Sky 2020″ url=“https:\/\/saralisavolm.com\/“ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n @pbkiku<\/b><\/p>\n Portia Bowers ist eine US-amerikanische Textilk\u00fcnstlerin mit afroamerikanischen Wurzeln. Als T\u00e4nzerin in New York studierte sie Bildhauerei, Design, Maskenbau und Collage. Ihre textilen Arbeiten zeichnen sich durch ihre vielf\u00e4ltige Textur, ihre Leuchtkraft, Farbintensit\u00e4t und die vibrierende Energie aus und kn\u00fcpfen an Tradition wie das Quilten an, welches insbesondere in den USA im 19. Jahrhundert weit verbreitet war und fast ausschlie\u00dflich von weiblich gelesenen Personen ausgef\u00fchrt wurde.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_3″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2025\/05\/Lenk_Januskopf-Acrystal-Gips-82x-64x-60cm_1.jpeg“ title_text=“Lenk_Januskopf, Acrystal, Gips 82x 64x 60cm_1″ url=“https:\/\/miriamlenk.de\/“ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n @miriam_lenk\u00a0 Der Ambivalenz in der Wahrnehmung des eigenen wie auch des anderen K\u00f6rpers sowie gesellschaftlich definierten Normk\u00f6rper begegnet Miriam Lenk, die an der Hochschule f\u00fcr bildende K\u00fcnste in Dresden studierte, mit weiblichen Archetypen. An die Venus von Willendorf, barocke Opulenz \u00e0 la Rubens oder emotionale Portr\u00e4ts einer Maria Lassnig erinnernd, konfrontiert die K\u00fcnstlerin in ihren Skulpturen mit Leibern, deren F\u00fclle Assoziationen an Mythen und die Unberechenbarkeit der Natur aufkommen lassen. Dar\u00fcber hinaus stellt die \u00dcppigkeit der\u00a0<\/span><\/p>\n Figuren die Normen einer dem Sch\u00f6nheits- wie auch K\u00f6rperwahn verfallenen Gesellschaft radikal in Frage.\u00a0<\/span><\/p>\n Miriam Lenk studierte Freie Kunst an der Hochschule f\u00fcr Bildende Kunst, Dresden. Ihre Arbeiten waren zuletzt bei der Galerie Cyprien Gaillard, auf Schloss Biesdorf, Berlin und in der Kunsthalle Wilhelmshaven zu sehen.<\/span><\/p>\n [\/et_pb_text][et_pb_divider _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_divider][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2025\/05\/Jacqueline_Heer_MorphoGenesis_Still_72.png“ title_text=“Jacqueline_Heer_MorphoGenesis_Still_72″ url=“https:\/\/www.jheer.com\/“ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n @jheer_art Traumata thematisiert die Multimedia-K\u00fcnstlerin Jacqueline Heer in ihren Installationen und Videoarbeiten. Transformationen des menschlichen K\u00f6rpers, seine Verwandlung und seine biologischen Grenzen wie auch seine Vulnerabilit\u00e4t kommen in ihren Werken, insbesondere in den j\u00fcngst mithilfe von AI erstellten Videos, auf eindr\u00fcckliche Weise zum Ausdruck. K\u00f6rperbilder, die von der Norm abweichen, die Assoziationen an die synthetische Biologie wecken und ethische Fragen nach Manipulation (Selbst-) Optimierung und der Entscheidungshoheit \u00fcber den eigenen K\u00f6rper aufwerfen, klingen in den eigenwilligen Kurzfilmen an.<\/span><\/p>\n Jacqueline Heers stellte u.a. im<\/span> Contemporary Museum North Carolina, im South Eastern Center of Art, der TNT Gallery Shenzhen, auf der Art Basel Miami, und in der Stockeregg Gallery Zurich aus. <\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2025\/05\/Lara-Azul_Ikarus_120-x-150-cm.jpg“ title_text=“Lara Azul_Ikarus_120 x 150 cm“ url=“https:\/\/www.jheer.com\/“ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n @laraazul.art Lara Azul ist eine mythologische Figur mit blauen Haaren, die lange in Werken anderer K\u00fcnstler:innen auftauchte, so z.B. in Werken des Duos GODsDOGs, sowie der Gruppe \u201cArtists Anonymous\u201d. Im Jahr 2020 beschloss sie, selbst Kunst zu machen und ihre Selbsterm\u00e4chtigung dazu zu nutzen, ihr altes Wissen aus den Mythen und M\u00e4rchen in Installation, Malerei, Fotografie & Performance auszudr\u00fccken und erlebbar zu machen.<\/span><\/p>\n Als Performance Figur war sie u.a. im Museum Hamburger Bahnhof ,Berlin und in London (Solo, Container Performance, London Zoo Art Fair) zu sehen<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_3″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2025\/05\/Itzel_Serie_1_Bild_6-scaled.jpeg“ title_text=“Itzel_Serie_1_Bild_6″ url=“http:\/\/www.suse-itzel.info\/“ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n @suseitzel\u00a0 Sexueller Missbrauch und das Leben danach bearbeitet Suse Itzel vielfach in ihrem k\u00fcnstlerischen Schaffen. Autobiographisch arbeitend verwendet sie in ihren j\u00fcngsten Arbeiten Dokumente aus ihren eigenen Therapien, die in Form von Cut Outs \u00fcberarbeitet werden. Inwieweit unterst\u00fctzt das System Heilungsversuche? Und wo l\u00e4uft die Vision eines Lebens danach ins Leere, da Antr\u00e4ge auf Therapie von der Krankenkasse nicht bewilligt oder Personen mit posttraumatischen Belastungsst\u00f6rungen stigmatisiert werden? Suse Itzel gibt in ihren vordergr\u00fcndig und formal minimalistischen Arbeiten einen Einblick in die Lebensrealit\u00e4t von Betroffenen und berichtet von einer Gesellschaft, deren vermeintliches Wohlwollen sich als Druck auf die Betroffenen auswirken kann.\u00a0<\/span><\/p>\n Suse Itzel studierte an der Kunsthochschule f\u00fcr Medien in K\u00f6ln und an der Hochschule f\u00fcr Bildende K\u00fcnste, Hamburg. Sie erhielt zahlreiche Stipendien, u.a. das Arbeitsstipendium f\u00fcr bildende K\u00fcnste der Stadt Hamburg. <\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2025\/05\/885A8946.jpeg“ title_text=“885A8946″ url=“https:\/\/www.elenabulycheva.de\/“ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n @elena_bulycheva_studio <\/b>\u00a0https:\/\/www.elenabulycheva.de\/<\/span><\/a><\/p>\n Care-Arbeit, weibliche Stereotype und Rollenzuschreibungen w\u00e4scht\u00a0 Elena Bulycheva in ihren Arbeiten im wahrsten Sinne des Wortes auf Links. Die Leinw\u00e4nde der K\u00fcnstlerin, die an der Hochschule f\u00fcr Bildende K\u00fcnste bei Anselm Reyle studierte, werden nach der Bemalung in der Waschmaschine gewaschen. Resultat sind Bilder, deren por\u00f6se Oberfl\u00e4che zum diskursiven Feld wird. Die Pr\u00e4sentation als \u201eShaped Canvas\u201c, sprich: als sich dem tradierten Viereck entziehende Werke, setzt zudem den Fu\u00df in ein im kunsthistorischen Kanon m\u00e4nnlich dominiertes Terrain<\/span><\/p>\n [\/et_pb_text][et_pb_divider _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_divider][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2025\/05\/B00B9327-4826-46F3-BD55-B245A6D7CC87_1_105_c.jpeg“ title_text=“B00B9327-4826-46F3-BD55-B245A6D7CC87_1_105_c“ url=“https:\/\/saralisavolm.com\/“ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n @saralisavolm Mit autobiografischen Erlebnissen und gesellschaftlichen Tabus setzt sich die Schauspielerin, Produzentin, Kuratorin, Autorin und K\u00fcnstlerin Saralisa Volm auseinander. Bereits vor ihrem Studium der Kunstgeschichte begann sie ihre Karriere in der Filmindustrie und spielte Hauptrollen in diversen Filmen. 2014 gr\u00fcndete sie die Produktionsfirma POISON und arbeitete als Produzentin (Die Verwandlung, 2015; Fikkefuchs, 2017) und Regisseurin (Am Draht der Zeit, 2018; Schweigend steht der Wald, 2022). Ihr Schaffen wurde mit zahlreichen Nominierungen und Auszeichnungen (u.a. Jurypreis beim Lichter Filmfest Frankfurt International) gew\u00fcrdigt.<\/span><\/p>\n <\/p>\n F\u00fcr die Ausstellungsreihe <\/span>bitchMATERIAL <\/span><\/i>erhielt sie 2021 den Hatun S\u00fcr\u00fcc\u00fc Preis. Als bildende K\u00fcnstlerin schuf sie das vielbeachtete Instagramprojekt <\/span>365_imperfections<\/span><\/a> und\u00a0<\/span><\/p>\n stellte ihre Installationen u.a. im Haus Kunst Mitte und dem Kindl Zentrum f\u00fcr zeitgen\u00f6ssische Kunst aus.\u00a0<\/span><\/p>\n <\/p>\n In ihrem Buch <\/span>Das ewige Ungen\u00fcgend<\/span><\/i> (2023) berichtet sie u.a. auch von ihren traumatischen Erlebnissen.<\/span><\/p>\n https:\/\/www.instagram.com\/saralisavolm\/<\/span><\/a> und <\/span>https:\/\/de.wikipedia.org\/wiki\/Saralisa_Volm<\/span><\/a>\u00a0<\/span><\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_button button_url=“https:\/\/traumaland.art\/kontakt\/“ button_text=“Fragen zu den Artists“ button_alignment=“center“ _builder_version=“4.23.4″ custom_button=“on“ button_text_size=“15px“ button_text_color=“#FFFFFF“ button_bg_color=“#52B6A8″ button_border_width=“0px“ button_border_radius=“100px“ button_letter_spacing=“2px“ button_font=“|700||on|||||“ button_use_icon=“off“ custom_padding=“16px|30px|16px|30px“ animation_style=“slide“ animation_direction=“left“ animation_intensity_slide=“10%“ animation_starting_opacity=“100%“ button_letter_spacing_hover=“2px“ button_bg_color_hover=“#e0c588″ locked=“off“ global_colors_info=“{}“ button_text_size__hover_enabled=“off“ button_one_text_size__hover_enabled=“off“ button_two_text_size__hover_enabled=“off“ button_text_color__hover_enabled=“on|hover“ button_one_text_color__hover_enabled=“off“ button_two_text_color__hover_enabled=“off“ button_border_width__hover_enabled=“off“ button_one_border_width__hover_enabled=“off“ button_two_border_width__hover_enabled=“off“ button_border_color__hover_enabled=“off“ button_one_border_color__hover_enabled=“off“ button_two_border_color__hover_enabled=“off“ button_border_radius__hover_enabled=“off“ button_one_border_radius__hover_enabled=“off“ button_two_border_radius__hover_enabled=“off“ button_letter_spacing__hover_enabled=“on“ button_letter_spacing__hover=“2px“ button_one_letter_spacing__hover_enabled=“off“ button_two_letter_spacing__hover_enabled=“off“ button_bg_color__hover_enabled=“on|hover“ button_bg_color__hover=“#A0B6A9″ button_one_bg_color__hover_enabled=“off“ button_two_bg_color__hover_enabled=“off“ button_bg_enable_color__hover=“on“ button_text_color__hover=“#FFFFFF“][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_row module_id=“Biesdorff“ _builder_version=“4.23.4″ custom_padding=“50px||0px|||“ locked=“off“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text admin_label=“Title“ module_id=“Biesdorff“ _builder_version=“4.23.4″ text_font=“||||||||“ header_font=“||||||||“ header_2_font=“Alice||||||||“ header_2_text_align=“center“ header_2_font_size=“42px“ header_2_line_height=“1.3em“ custom_margin=“||20px|“ animation_style=“slide“ animation_direction=“top“ animation_intensity_slide=“30%“ animation_starting_opacity=“100%“ locked=“off“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_divider color=“#2a2a2a“ divider_weight=“3px“ _builder_version=“4.16″ max_width=“50px“ module_alignment=“center“ custom_margin=“||10px|“ animation_style=“slide“ animation_direction=“top“ animation_intensity_slide=“30%“ animation_starting_opacity=“100%“ locked=“off“ global_colors_info=“{}“][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Gallery Section“ _builder_version=“4.16″ custom_padding=“50px||90px|||“ global_colors_info=“{}“][et_pb_row column_structure=“1_3,1_3,1_3″ use_custom_gutter=“on“ admin_label=“Gallery Area“ _builder_version=“4.16″ custom_padding=“6px|0px|27px|0px||“ global_colors_info=“{}“][et_pb_column type=“1_3″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2024\/01\/LaraAzul_Whiplash_300dpi_180x130cm.jpg“ title_text=“LaraAzul_Whiplash_300dpi_180x130cm“ url=“https:\/\/laraazul.com\/“ url_new_window=“on“ use_overlay=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n Lara Azul sees herself as a mythological figure. Her works are characterised by a fantastic and poetic visual language. In her fairytale-like and mythologically inspired installations and paintings, she sensitively poses the question of how taboo experiences can be brought to light and takes visitors on a journey of discovery into the unspeakable.<\/span><\/span><\/p>\n www.laraazul.com<\/a> [\/et_pb_text][et_pb_divider _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_divider][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2024\/01\/CorneliaRenz_DIE2.jpeg“ title_text=“CorneliaRenz_DIE2″ url=“https:\/\/www.corneliarenz.info\/“ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||15px|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n Cornelia Renz's large-format works are painted with pigment marker between two panes of acrylic glass. Her artistic work combines graphic quotations with a high-contrast colourfulness, showing how painful experiences can give rise to warlike action on the one hand and how a new, strengthened form of self-power and self-determination can emerge from them on the other.<\/span><\/p>\n www.corneliarenz.info<\/a> [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_3″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2024\/01\/GODsDOGs_Ziegenturm_72_-E.Tschernow_160x90x240cm-scaled.jpg“ title_text=“GODsDOGs_Ziegenturm_72_ E.Tschernow_160x90x240cm“ url=“https:\/\/www.godsdogs.de\/index.htm“ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n In a palette of vibrant colours, the works of GODsDOGs unfold as a striking contrast to Gerenot Richter's monochromatic intaglio prints. They offer a poetic approach, but also unfold visions of dreamlike and nightmarish scenes and installations that impressively visualise the profound psychological states in the course of confronting trauma.<\/span><\/p>\n www.karloskargallery.com\/godsdogs<\/a> [\/et_pb_text][et_pb_divider _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_divider][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2024\/01\/gerenot-richter-wv-2-188-gleichnis-i1-e1689096437630-3.jpeg“ title_text=“gerenot-richter-wv-2-188-gleichnis-i1-e1689096437630″ url=“https:\/\/www.gerenot-richter.de\/“ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n The impressive drawings and etchings by Gerenot Richter (1926-1991) reveal a deep insight into the war traumas he personally experienced. In his series \"After the Storm\", his finely crafted depictions show the wounding of nature as a symbol of the tangled inner thicket and invite the viewer on a poetic journey into the hidden depths of the unconscious.<\/span><\/p>\n www.gerenot-richter.de<\/a> [\/et_pb_text][\/et_pb_column][et_pb_column type=“1_3″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2024\/01\/Klingenstein_What-I-am_1994_cut_210-x-142-cm-scaled.jpg“ title_text=“Klingenstein_What I am_1994_cut_210 x 142 cm“ url=“https:\/\/thomas-klingenstein.com\/“ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n Thomas Klingenstein's large-format works on paper are characterised by their expressive visual language, a skilful atmospheric combination of colours and techniques and a deep emotional impact. His works often combine a seductive aesthetic with questions of identity, individuality, spirituality, culture and history.<\/span><\/p>\n www.thomas-klingenstein.com<\/a> [\/et_pb_text][et_pb_divider _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_divider][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ text_font=“Playfair Display||||||||“ global_colors_info=“{}“]<\/p>\n [\/et_pb_text][et_pb_image src=“http:\/\/traumaland.art\/wp-content\/uploads\/2024\/01\/FATAL_GLOBAL_SaralisaVolm_8.png“ title_text=“FATAL_GLOBAL_SaralisaVolm_8″ url=“https:\/\/saralisavolm.com\/“ url_new_window=“on“ force_fullwidth=“on“ align_tablet=“center“ align_phone=“center“ align_last_edited=“on|desktop“ _builder_version=“4.23.4″ custom_margin=“|||“ custom_padding=“||11%|“ animation_style=“fade“ global_colors_info=“{}“][\/et_pb_image][et_pb_text _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n In her art, Saralisa Volm explores themes such as the consequences of trauma, particularly in the form of auto-aggression, as well as the promises of coaching culture. In her film work, she also sheds light on dark aspects of German history, for example in her film \"Silent stands the forest\", which was nominated for the film festival and will be shown several times during the exhibition.<\/span><\/p>\n www.instagram.com\/saralisavolm<\/a> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.23.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_button button_url=“https:\/\/traumaland.art\/kontakt\/“ button_text=“Fragen zu den Artists“ button_alignment=“center“ _builder_version=“4.23.4″ custom_button=“on“ button_text_size=“15px“ button_text_color=“#FFFFFF“ button_bg_color=“#52B6A8″ button_border_width=“0px“ button_border_radius=“100px“ button_letter_spacing=“2px“ button_font=“|700||on|||||“ button_use_icon=“off“ custom_padding=“16px|30px|16px|30px“ animation_style=“slide“ animation_direction=“left“ animation_intensity_slide=“10%“ animation_starting_opacity=“100%“ button_letter_spacing_hover=“2px“ button_bg_color_hover=“#e0c588″ locked=“off“ global_colors_info=“{}“ button_text_size__hover_enabled=“off“ button_one_text_size__hover_enabled=“off“ button_two_text_size__hover_enabled=“off“ button_text_color__hover_enabled=“on|hover“ button_one_text_color__hover_enabled=“off“ button_two_text_color__hover_enabled=“off“ button_border_width__hover_enabled=“off“ button_one_border_width__hover_enabled=“off“ button_two_border_width__hover_enabled=“off“ button_border_color__hover_enabled=“off“ button_one_border_color__hover_enabled=“off“ button_two_border_color__hover_enabled=“off“ button_border_radius__hover_enabled=“off“ button_one_border_radius__hover_enabled=“off“ button_two_border_radius__hover_enabled=“off“ button_letter_spacing__hover_enabled=“on“ button_letter_spacing__hover=“2px“ button_one_letter_spacing__hover_enabled=“off“ button_two_letter_spacing__hover_enabled=“off“ button_bg_color__hover_enabled=“on|hover“ button_bg_color__hover=“#A0B6A9″ button_one_bg_color__hover_enabled=“off“ button_two_bg_color__hover_enabled=“off“ button_bg_enable_color__hover=“on“ button_text_color__hover=“#FFFFFF“][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" K\u00fcnstler:innen\u2192 Traum(a)land \u2013 fluid futures 23.5. bis 4.6.25 \u2192 Schloss Biesdorf 24.01.2024 bis 12.05.2024 Traum(a)land – fluid futuresSylvie Ringer (CAN\/DE)@sylvieringerhttps:\/\/www.sylvieringer.de\/ Landschaften als Metaphern f\u00fcr innere Prozesse kommen in den teils gro\u00dfformatigen Zeichnungen der deutsch-kanadischen K\u00fcnstlerin Sylvie Ringer zum Ausdruck. In ihren Zeichnungen mit Kohle, Pigment, Pastell, Buntstiften und Tusche fertigt sie eindrucksvolle subjektive Blicke auf […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-212","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/traumaland.art\/en\/wp-json\/wp\/v2\/pages\/212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/traumaland.art\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/traumaland.art\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/traumaland.art\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/traumaland.art\/en\/wp-json\/wp\/v2\/comments?post=212"}],"version-history":[{"count":9,"href":"https:\/\/traumaland.art\/en\/wp-json\/wp\/v2\/pages\/212\/revisions"}],"predecessor-version":[{"id":1035,"href":"https:\/\/traumaland.art\/en\/wp-json\/wp\/v2\/pages\/212\/revisions\/1035"}],"wp:attachment":[{"href":"https:\/\/traumaland.art\/en\/wp-json\/wp\/v2\/media?parent=212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}K\u00fcnstler:innen<\/span><\/h1>\n
Traum(a)land – fluid futures<\/em><\/span><\/h2>\n
Sylvie Ringer (CAN\/DE)<\/strong><\/h3>\n
<\/b>https:\/\/www.sylvieringer.de\/<\/span><\/a><\/p>\nPenny Monogiou (DE\/ZYP)<\/b><\/h3>\n
https:\/\/pennymonogiou.art\/<\/span><\/a>\u00a0<\/span><\/p>\nPortia Bowers (US) <\/b><\/h3>\n
Miriam Lenk (DE)<\/strong><\/h3>\n
<\/b> <\/b>https:\/\/miriamlenk.de\/<\/span><\/a><\/p>\nJacqueline Heer (CH\/US)<\/b><\/h3>\n
<\/b>https:\/\/www.jheer.com\/<\/span><\/a><\/p>\nLara Azul (DE) <\/b><\/h3>\n
<\/b>www.laraazul.de<\/span><\/a><\/p>\nSuse Itzel (DE)<\/strong><\/h3>\n
<\/b>http:\/\/www.suse-itzel.info\/<\/span><\/a><\/p>\nElena Bulycheva (DE\/RUS)<\/b><\/h3>\n
Saralisa Volm (DE)<\/b><\/h3>\n
<\/b>https:\/\/poison-berlin.com\/<\/span><\/a><\/p>\nTraum[a]land – Schloss Biesdorf<\/span><\/h2>\n
Lara Azul<\/h3>\n
www.instagram.com\/laraazul.art<\/a><\/p>\nCornelia Renz<\/h3>\n
www.instagram.com\/cornelia_renz<\/a><\/p>\nGODsDOGs<\/h3>\n
www.godsdogs.de<\/a><\/p>\nGerenot Richter<\/h3>\n
www.wikipedia.org\/wiki\/Gerenot_Richter<\/a><\/p>\nThomas Klingenstein<\/h3>\n
www.instagram.com\/thomas.klingenstein<\/a><\/p>\nSaralisa Volm<\/h3>\n
www.wikipedia.org\/wiki\/Saralisa_Volm<\/a><\/p>\n